However, at the first line of the introduction to the Squire’s Tale, some manuscripts, including Hengwrt and Petworth, read “Sire Frankleyn” instead of “Squire.” The heading in Hengwrt states, “Here folwen the wordes of the worthy Hoost to the Frakeleyn,” and the Franklin’s Tale follows. The variations among the ordering of the tales in various manuscripts indicates that there was no predominant ordering to be had and thus the tales were introduced in the order in which the scribes wrote them. Again, referring to the Ellesmere and Hengwrt, only after haphazard copying is the manuscript edited to create the Ellesmere with the ordering edited to reflect content along with common sense.
If the Host’s invitation to the next story teller is to the Franklin, and it reads “Sire Frankeleyn, com neer, if it youre wille be,” then it is extrametrical. For an author who so meticulously oversees his form, as can be surmised from the General Prologue down to the structural similarities between tales that I outlined in the previous section of his project, it is most bizarre that this line should stick out so obviously. Surely Chaucer did not momentarily forget how to count only to resume flawlessly in subsequent lines. Chances are, as the tales were being copied in no particular order other than the one in which they were received, the scribe noticed introductions or words of encouragement for the other tale tellers, and lacking one here, he improvised before reading the actual tale which would have given him some clues.
The lines directly following the “Franklin’s” invitation to tell a tale are: “and sey somwhat of love, for certes ye/ Konnen theron as much as any man.” (with obvious variations on spelling between manuscripts). While the Host is often off the mark when drawing his conclusions on the various tales, he is not so removed that he would ask the grumpy Franklin to tell a sappy love story – a topic much better suited to the Squire, “a lovyere, and a lusty bacheler”… merrily riding along, covered in “fresh floures, whyte adn rede.” That sounds much more like someone who should be telling love stories. And that is exactly what he does. Following in the footsteps of the Knight’s Tale of Arcite and Palimon, two courtly lovers who all but botch the concept of chivalry, the Squire tells an even more absurd tale of love, as only a young man could. In fact, the tale is so terrible, it is not left unfinished as some scholars speculate, but is rather interrupted by the real Franklin who had just about had enough.
Note: the stipulation that the tale was unfinished is due to the fact that it does indeed stop mid sentence. While it can be argued that it was left unfinished because it was honestly a terrible tale, the notion that the tale was purposefully interrupted seems more feasible; the tale had been bad for quite some time, and not looking as though it would get any better, thus if it was meant to be abandoned altogether Chaucer would have done so much sooner. It is more likely that it went on and on as it did to demonstrate cause for its interruption – the Franklin just couldn’t stand it anymore (and the audience would thank him kindly). Yet, since the Franklin stops the Squire and offers nothing but praise for a tale well told, there have been many who have accepted the Franklin’s words at face value, refusing to take diplomacy, common courtesy, or downright sarcasm into account, using his apparent praise to argue that the Squire’s Tale is unfinished, and not interrupted. However, if the tale displeased him, no one should expect the Franklin, a man with a public persona and agenda for social ascension, to outright tell the noble boy to shut up.
Another clue (right at the beginning) that the introduction by the Host to the Squire, is actually intended to the Squire and not the Franklin, has to do with the way in which the words are read, keeping in mind Chaucer’s love for word play.
The Host intuits that the teller of the next tale “konnen theron as much as any man” on the subject of love. The obvious reading is that he knows as much as any other man and therefore has a means for telling a tale on the subject. However, a dual connotation is that he knows as much as *a* man, implying that the teller is not in fact yet a man, but a boy. Much of Chaucer’s language is generally (and often intentionally) ambiguous, making it extremely difficult to discern absolute meaning, but in conjunction with the previous pieces of this argument, it is difficult to ignore the possibility of the second reading.
Further, a look at the way these tales were physically written provides the last clue to their ordering. According to Cooper’s analysis of the manuscript’s binding, in the Hengwrt, the Merchant’s endlink and Franklin’s Prologue are written on an inserted leaf. Also, simply looking at pictures one can tell that there is far more room in between the two then there is text – half the page is empty. Thus the scribe wrote the pieces in anticipation of… well, I don’t know what. There are theories of what he may have been waiting for, but all seem very far fetched attempts at answering a rather mysterious question. What was he waiting for? I personally believe he didn’t even know, but left the blank space because something about the current ordering of the tales was askance – the blank space is less of a mystery of “what” and rather an indication as to his hesitancy in placing the Franklin’s Prologue after the Merchant’s endlink. As evidence, when the same scribe later copied the Ellesmere, the Merchant – Squire – Franklin piece was rearranged as we have it now, and the manuscript flows smoothly with no indication of a break. In other words, he was far more sure of himself here, and felt no need to leave empty space.
Returning to context, this is the heading at the top of the next leaf:
Heere folwen the wordes of the
Frankeleyn to the Squire, and the
wordes of the Hoost to the Frankeleyn (spelling again varies, I am using Ellesmere).
Several manuscripts such as Christ’s Church, Corpus Chrisi, and New College omit these lines altogether. (Note: This is actually a rather important point, but unfortunately I don’t have access to digital images of the Christ’s Church manuscript, so I am relying on others’ transcripts… if I ever make more of this project, this will have to be better looked into, and I think to fully flesh out the evidence I should also look closer at Petworth and Lansdowne, if not others). Hengwrt (and perhaps other manuscripts) use the Squire’s endlink to introduce the Merchant’s Tale, and the word “Marchantes” replaces “Frakeleyn.” So, why do these other manuscripts omit these lines altogether? It might not make it correct, but consensus among a majority of manuscripts would heavily tilt the argument towards acceptance of one or the other. However, so few manuscripts seem to have these words, the only evidence we can rely on for accuracy once again looks at rhyme and meter.
Where Ellesmere’s “That knowe I wel, sir, quod the Frankelyn” (only a little below the lines quoted a paragraph earlier), is looked at in terms of Hengwrt’s “That knowe I wel sir, quod the Merchantes certeyn,” it is an obvious attempt to maintain the rhyme, and in doing so, the line becomes extrametrical. This time it is better masked than the previous time that an extrametrical unit was introduced, due to the rhyme of the words, but when read within the surrounding text something about the line just stands out, and upon a second (or perhaps third or fourth) look, it is discovered.
In addition, since Chaucer typically introduced the themes of the tales within their headlinks, or the endlinks of the previous tales, in this case it would seem more likely that the theme of “gentillesse,” as it is introduced, is better fitted to the Franklin’s Tale, rather than the Merchant’s that appears to be the exact opposite of the concept.
Since the Franklin’s Tale does follow the Squire’s, we can begin comparing them to figure out why they were placed together (assuming Chaucer didn’t just happen to write them that way). McCall makes an interesting argument that the Franklin’s and Squire’s Tales belong together because they are both organized along temporal lines. Unlike the Bradshaw shift (mentioned in Part I of this project), that is an entire argument based on less than a handful of references to place names, this argument holds some weight as no other tales contain as many references to time, aside from the General Prologue. According to McCall (and the text, of course), the Squire’s Tale begins on March 15th and ends roughly two months later where the Franklin’s Tale begins on May 6th and ends in December. While this is even more proof that the Squire’s Tale was meant to be interrupted and not simply left unfinished, that is not my purpose here, (and I will probably have to reassess and rework this in earlier). McCall then states that the two tales contain key words in which the Squire’s Tale emphasizes youth and the Franklin’s Tale focuses on the old. But this argument can be taken so much further, and demonstrate parallels between the tales which indicate that Chaucer wrote each with the other in mind, and thus they must be linked together. Just like I had looked at the Clerk’s and Merchant’s tales earlier for contextual parallels that proved one would not simply follow the other, but do so closely, here I will look at different parallels, drawing the same conclusion. The structural similarities are too great for the tales to be separated.
First, I will outline these similarities in a “table,” but just like last time, it may or may not appear as a table on your end since I don’t know how to do it properly in the blog. Secondly, I am certain I am missing references, and will reread both tales again to pick up any missing words from my list here. These are simply the most obvious.
Squire’s Tale Franklin’s Tale
“Ides of March” “Frosty… December”
“Phebus… ful joly was” ” Phebus wax old”
***both of these are only one line below the previous example
“exaltacioun” “declynacion”
“Ares” “Capricorn”
***exact same monthly references as the first example used
“sonne sheene” “shoon ful pale”
“yonge grene” “destroyed… grene”
“songen” “crieth”
The similarities are not solely in stray words, but these help illustrate how the stories reflect each other, and are almost a continuation. In the first, while not finished, the young woman laments her lover leaving her for another, while in the second, the man returns from war to find his wife has promised herself to another. We do not know the outcome of the first, but in the second, despite, and perhaps due to, the Franklin’s excessive desire towards appearing noble, the characters in the tale, including Dorigen, conduct themselves with utmost chivalry (the implications, and the outcome, are something to be discussed elsewhere another time). In every sense, the Franklin’s Tale appears to act as a second half, or a completion of the Squire’s Tale. Of course this leads to a completely different argument as to why the Squire’s Tale may not have been completed. (Obviously this project appears to need better organization because I seem to be jumping all over the place, and I am really trying not to – however, if I want to pursue this to its end, all of these little “extra” things should at some point be addressed).
Yet, in light of every clue presented in favor of the Franklin’s Tale following the Squire’s it must be noted that not as much evidence, if any, exists to the contrary. In fact, for every instance that I have so far noted where the ordering is different, there appears to be no reasoning behind it, and other scholars, far more advanced and invested than me, have also failed to find evidence in support of a different ordering. Even those who argue against the Squire-Franklin combination (very few, and an almost non existent argument in recent years), still do not offer an alternative.
The Clerk, Merchant, Squire, and Franklin, are simply meant to be together, in one long sequence, and dividing them into fragments, aside from creating an easy way of numerating them, is unnecessary.
Similar combinations of fragments also exist. The evidence may not be as strong, but enough remains in existence to argue the consolidation of fragments VI and VII, and IX and X.
However, next time I actually want to move backwards within the manuscripts and look at the Wife of Bath’s Prologue and Tale. A lot has already been done on her, so I will be brief; what I wish to look at is why she is (constantly) placed within the same fragment as the Friar and Summoner. Judging from their descriptions in the General Prologue it seems she is the odd one out of this Fragment, but there is in fact a reason to place her where she is, and why she has maintained that place among manuscripts.
